Join us in celebrating Black History Month! For the month of February, Texas Book Festival is recognizing Black History Month by highlighting black Texas authors, readers, and notable contributors to the literary community in a series of blog posts. So far, we’ve had contributions from TBF Community Ambassador Peggy Terry, who shared a fantastic list of books coming out in 2018, and award-winning children’s author and illustrator Don Tate who took the time to answer some questions.
Today, we’re excited to say we got to ask some questions of Austin legend Dr. Rosalind Oliphant Jones, the founder of the Austin African American Book Festival and the Folktales Black Women’s Literary Society, which grew out of her fantastic independent bookstore Folktales (which closed in 1999). Oliphant Jones has brought countless award-winning and best-selling black authors to Austin both through her bookstore and the AABF, from Pulitzer Prize-winning Poet Gwendolyn Brooks to YA author sensation Angie Thomas, whose debut novel spent more than 40 weeks at #1 on the New York Times Bestseller list. Oliphant Jones has done immeasurable work for our community.
The 12th annual Austin African American Book Festival (AABF) will take place June 23, 2018 at the George Washington Carver Museum, Cultural, and Genealogy Center. Don’t miss this vibrant, one-of-a-kind event!
The African American Book Festival Committee (L to R): Peggy Terry, Carol Wright, AABF Founder and Director Rosalind Oliphant Jones, and Anne Boyd
Texas Book Festival: What inspired you to start the Austin African American Book Festival?
Rosalind Oliphant Jones: When, in December 1999, it made good business sense to close the doors to Folktales, the Black themed bookstore I launched in the Austin area, I was left both devastated and relieved. I had given so much of myself to this venture, but even though I was exhausted and broke, none of that tarnished my love of books.
Longtime supporters constantly asked if I planned to reopen or if I was ever going to do any more author events. While I had no plans to reopen a full service operation I was organizing a few things here and there: The Folktales Black Women’s Literary Society was going strong, I organized the Afrocentric Book Club at the high school where I was then teaching, and I also hosted a few author signings and book events around town.
From there, I saw the pioneering Harlem Book Fair, which has been held annually for the past 2 decades, as the creative impetus to start something similar and just as meaningful and influential here.
TBF: How has your experience opening and running Folktales, a successful community bookstore, informed your experience co-founding and running the AABF?
ROJ: Last year marked my 25th year as a bookseller! One thing I realize about great booksellers is they don’t just sell books; they also sell and cultivate a wonderfully multifaceted literary experience.
What we have been able to do with the festival is appeal to a reader’s desire to connect with authors both beloved and newly discovered and to share a kinship with readers in search of that same connection. There is so much excitement in meeting authors and hearing them discuss their work, and with Folktales and the Austin African American Book Festival, we have facilitated space for hundreds of authors to engage with readers in this community. I am really proud of that.
TBF: What’s your favorite part of interacting with authors and readers (through Folktales, the Austin African American Book Festival, Folktales Black Women’s Literary Society, and in any other ways)?
ROJ: I am absolutely fascinated by the work writers do. I am curious to know what their inspirations are, their favorite books, other authors they know, and more!
Back in 1994, Austin Community College brought the Pulitzer Prize winning poet Gwendolyn Brooks to town. Folktales hosted a book signing for her and there was also a private dinner in her honor. I asked so many questions, all of which she graciously answered! At one point, in the midst of our conversation, which included lots of laughing, she looks at me and says something like, “You ask questions like that of a writer.” It was a goldenmoment for sure! This is just one unforgettable moment I have experienced while doing this very rewarding work. There are so many other wonderful stories I could relay about my interactions with writers and readers.
TBF: What do you look for when inviting authors and speakers to the AABF?
ROJ: It’s hard for me to put into words what we look for when putting together our festival. With a circle of very smart, charismatic friends who read across genres, we gather for tea or coffee or lunch to discuss books, brainstorm ideas, and create what has, for the last 11 years, culminated into something we believe has been very special and worthwhile for the community.
TBF: You’re someone who’s been a major community leader in promoting and supporting black literature and media for some time. Have you seen a shift the ways major publishing houses (and Hollywood) produce or respond to black stories?
ROJ: The world is constantly shifting and publishing houses are no different. When Folktales opened in 1992, it was the “Age of Terry McMillan.” Her first two novels Mama and Disappearing Acts were popular, but then came Waiting to Exhale and the success of that book jolted the publishing industry. Suddenly, the masses realized what many of us already knew: Black people buy books! As a result, we saw this wonderful proliferation of more Black authors getting publishing deals. We saw Black centered products like greeting cards, gift wrap, novelty items, T-shirts—it was thrilling to behold! Unfortunately, by the year 2000, things started slowly winding down. We saw more bookstores closing and some publishers began shifting their focus from a more varied landscape of black literature to a narrower emphasis on urban fiction.
There is talk that we are about to witness another renaissance! The excitement surrounding the Black Panther movie has certainly been contagious! And the fact that it has its origins in comic books and graphic novels counts it as a definite plus for the literary world as well.
TBF: Could you share an anecdote or two about the AABF?
ROJ: A powerful moment for me was the year historian Dr. Arnold Rampersad was our keynote speaker. Dr. Rampersad is celebrated for his acclaimed biographies on Langston Hughes, Jackie Robinson, and Ralph Ellison. He was extremely complimentary of the festival and in his opening remarks had created this beautiful tapestry connecting all the authors on program. Later, when we were walking through the museum, he asked me, “Where are the children, where are the youth?”
It revealed a troubling omission, as we had planned that particular festival with little attention to youth programming. It was an oversight we have worked very hard not to repeat.
TBF: What are you reading right now? What book or two (or more are you most looking forward to this year?
ROJ: I hope to complete the Old Testament by mid-year. I am in the book of Deuteronomy, Chapter 18. I just finished Priscilla Shirer’s devotional Awaken: 90 Days with the God Who Speaks, which was uplifting.
I am also loving and learning from the fabulous never before published photographs and interesting backstories in Unseen: Unpublished Black History from the New York Times Photo Archives.
I just picked up Ta-Nehisi Coates’ We Were Eight Years in Power, which I am looking forward to reading it as well as all the books I am told I will be inspired to read as I make my way through it!
I expanded the health section in my library after I was diagnosed with ovarian cancer in 2016. I am all about being a healthy and informed survivor! I just re-read The Immoral Life of Henrietta Lacks by Rebecca Skloot, which provided far too many lessons to recount here. I am also making plenty of highlights and notes in the margins of my copies of The Metabolic Approach to Cancer by Dr. Natasha Winters and Jess Higgins Kelley and The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee.
I cannot wait to be among the first to read Zora Neale Hurston’s book Barracoon: The Story of the Last Slave, which is due out in May, and I am also looking forward to Angie Thomas’ sophomore release, On the Come Up, in June.
